Pyramids frank ocean music video meaning

#Pyramids frank ocean music video meaning movie

He is the authority on the song and its meaning. Could OceanвЂ™s song act as an illustration of the tropes of debauchery, aggressive masculinity, and heterosexuality that many members of his genre are compelled to uphold?ДЄdmittedly, this might be a leap from OceanвЂ™s intentions. The lyrics of the song suggest sexual encounters between Ocean and various anonymous women, which is interesting to note considering the R&B artistвЂ™s recent proclamation that he is gay. Clearly we only got one version of blond or two if you consider the discrepancy between the cover name and the album name, blond and Blonde respectively. Blond and Blonde.Blond was seen as the male version and Blonde was seen as the female one. Instead, OceanвЂ™s entire video (directed by Nabil Elderkin) seems like a take-down of this subculture, and its pressures on young artists like himself. At the time it, was believed that Frank had 2 versions of Blond.

ItвЂ™s not quite the celebration of hedonism for which some music videos seem to opt. Zooming past distortions of shrubbery and telephone poles, OceanвЂ™s tortured character eventually reaches a hellish strip club, comprised of near-reptilian figures (again, reminiscent of Fear and Loathing) charged with entertaining the depraved clientele. In вЂњPyramids,вЂќ Ocean hops on a motorbike and speeds down an equally ominous desert road.

#Pyramids frank ocean music video meaning movie

Thompson, the movie harpooned stars Johnny Depp and Benicio del Toro into a twisted, demonic adventure through a hallucination-laden Nevada. Inspired by the writings of late Rolling Stone reporter Hunter S. Breaking down yet another barrier is artist Frank Ocean, whose new music video for the Channel Orange song вЂњPyramidsвЂќ is highly reminiscent (intentionally or otherwise) of the 1998 film Fear and Loathing in Las Vegas. The gap between post-millennium hip hop and Gonzo journalism has gone without being connected for far too long.